Shiny! Monday, Dec 11 2006 

A Firefly MMORPG could be seriously good – of course, it could also be seriously bad, but let’s assume for now that the glass is 50% full. And the fact that it’s a Firefly license (from FOX) means they can draw on all of the content from the TV series. Okay, so the Serenity table-top RPG got around the limitations of having their licensing arrangement with Universal pretty easily (“no names mentioned” examples that were eerily familiar to viewers of the TV show), but this will just be more straightforward. The concept of Multiverse also looks interesting, and I suspect this will boost their profile outside of the core MMO community.

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Insiders MP3s Sunday, Nov 26 2006 

I just discovered that the ABC’s Insiders is now making the complete show audio available through a podcast, which I think is an extremely clever idea for this type of TV show.

The fact is, I “watch” Insiders most weeks but I rarely look at the screen while doing so – I have the TV on and work on the computer or read while listening. Apart from the “Talking Pictures” segment on political cartoons, there is pretty much nothing that requires one’s visual attention in the show – it’s talking heads on a screen and then four people sitting and talking to each other.

When I have missed the show in the past I have usually ended up reading the transcript because I couldn’t see the point of wasting bandwidth on a video download. Now, with a 12MB MP3 file giving me the audio of the entire show, there is no way I won’t make use of it. Good job, Aunty!

Battlestar Galactica Tuesday, Oct 10 2006 

I have only seen the first series of the new Battlestar Galactica on DVD, but the sheer intelligence and relevance of the stories it tells has struck me like no other show. It seems I’m not the only one – people are talking about the value of BSG as social commentary at Crooked Timber, seedlings, and even Entertainment Weekly. The analysis of the conflict between Colonials and Cylons as it relates to the United States, Iraq, terrorism and World War II is a testament to the contribution good television can make to the level of debate in our society, and is a refreshing break from the overload of reality TV and the expanding rotation of “another week, another crime” police procedurals (remember when John Munch was a character?). Ron Moore has created a setting that starts with a fairly basic and well-trodden premise (machines turn on their creators and war between the “races” ensues) but is using it as a platform to examine a sophisticated set of issues. Anyone who likes science fiction probably already watches it, but the fact is that anyone with a brain should get into this show.